Moka Kamishiraishi Beauty & Wellness | Skincare, Hair & Swimming

A softly radiant appearance, effortlessly natural performances, and a singing voice that seems to speak directly to the heart. Japanese actress and singer Moka Kamishiraishi has established a distinctive presence across film, television, theatre, and music.

Her credits include the television dramas Stepmom and Daughter's Blues (Gibo to Musume no Blues), Mr. Hiiragi's Homeroom (3-nen A-gumi), Idaten, and Ya Boy Kongming!, along with the films The Forest of Wool and Steel, One Summer Story (Kodomo wa Wakatte Agenai), and 366 Days. She also releases music under the name adieu, revealing another side of her artistic personality.

A closer look at Moka's beauty and wellness habits reveals a thoughtful collection of personal favorites: a sake-lees face mask sent by her mother, skincare selected with her own skin in mind, five or six hair oils used according to the weather, a Face Pointer beauty tool, and a fondness for perfume and incense.

Her relationship with food is equally interesting. Warm water in the morning, genmaicha green tea, homemade rice balls and custard pudding, ratatouille, and dishes featuring Japanese mountain yam all appear in her interviews and essays. She has even traveled alone to Matsumoto for soba noodles, enjoyed a solo yakiniku dinner, and explored Taiwan through its breakfast culture.

Swimming has remained an important part of her life since elementary school. She enjoys visiting public swimming pools, while her walks often become opportunities to notice neighborhood cats, seasonal flowers, and familiar scents drifting through city streets.

There is also her love of hot springs, rooted in childhood memories of Kagoshima, along with solo outings, more than a decade of diary writing, books, vinyl records, and collecting stickers.

Drawing on her official profile, personal interviews, and essays written in her own words, this feature explores Moka Kamishiraishi's beauty routine, skincare, favorite cosmetics, haircare, fragrance, diet, swimming, walking, bathing, sleep, and relaxation habits. Along the way, we discover family stories, memorable experiences from her acting career, and nine delightful pieces of trivia that reveal her personality.

1. Moka Kamishiraishi's Biography, Career and Family: A Childhood Shaped by Mexico

From the Toho Cinderella Audition to Acting and Music as adieu

Moka Kamishiraishi was born on February 28, 2000, in Kagoshima Prefecture, Japan. She is 163 cm tall. Her entertainment career began in 2011, when she won the Grand Prix at the seventh Toho Cinderella Audition.

She made her acting debut in the 2012 WOWOW television drama Bunshin. In 2016, she played Anne Shirley in the musical Anne of Green Gables, becoming the youngest performer at the time to take on the leading role.

Her performance in the 2018 film The Forest of Wool and Steel earned her a Newcomer of the Year award at the Japan Academy Film Prize. That same year, her portrayal of Miyuki Miyamoto in the drama Stepmom and Daughter's Blues brought her further recognition.

In 2019, she played swimmer Reina Kageyama in Mr. Hiiragi's Homeroom and portrayed pioneering Japanese competitive swimmer Hideko Maehata in NHK's historical drama Idaten.

She went on to portray a high-school swimming club member in the film One Summer Story, and expanded her range through television productions including Ya Boy Kongming!, Pending Train, and Ignite, as well as the film 366 Days.

In 2025, she starred in Romantic Killer and participated in the animated film Toritsukare Otoko. In 2026, she took the leading role in the television drama Pandas Are Harder to Love Than People (Panda yori Koi ga Nigate na Watashitachi).

Alongside acting, she has developed a music career under the name adieu since 2017. In 2026, she released the EP adieu 5, continuing to explore a musical identity of her own.

In 2025, she published the photo book charm charm, photographed in Sri Lanka. In 2026, she also began hosting her own radio programme, Kyo wa, Uchi ni Imasu.

Actress, singer, radio presenter, and essayist: Moka continues to expand the ways she expresses herself.

She also balanced her entertainment career with her education and graduated from university. In an interview, she recalled advice given to her by Japanese entertainer Shofukutei Tsurube when she was 18, encouraging her to find time for the things that matter even during busy periods. His words remained meaningful to her in the years that followed.

Her Parents, Sister Mone Kamishiraishi, and Family Life in Mexico

Moka grew up in a family of four with her parents and older sister. Her father worked as a teacher, while her mother has a background in music education.

Her older sister is actress and singer Mone Kamishiraishi. Both sisters entered the 2011 Toho Cinderella Audition, with Moka winning the Grand Prix and Mone receiving the Special Jury Prize.

During elementary school, the family spent approximately three years living in Mexico because of her father's work. Being surrounded by another language, culture, and musical tradition helped shape Moka's curiosity about the wider world.

She still remembers mariachi music heard in Mexican restaurants and live performances enjoyed with her family. She also grew up listening to music loved by her father, including the British rock band The Police.

In a personal essay titled Moka, published in February 2025, she reflected on the name her parents had chosen for her.

The characters in her given name express the idea of a song beginning to sprout and grow, reflecting her parents' hopes for her future.

When her mother began playing the piano, Moka and Mone would naturally start singing together. Even as a shy child, singing offered Moka a way to express feelings that were sometimes difficult to put into everyday words.

Her family continues to appear in her adult life in thoughtful ways. In 2020, her mother sent her a favorite sake-lees face mask from Kagoshima, and Moka has preserved family recipes in a handwritten notebook.

In her 2024 essay The Room Where Time Sleeps (Jikan no Nemuru Heya), she explained that she returned to her family home in Kagoshima around two or three times a year at that time.

When she managed to secure three consecutive days off, she sometimes booked a flight home to spend time with her family.

One particularly touching detail was that her childhood bedroom had been kept largely as it was when she left for Tokyo at the age of 13.

There were schoolbooks and a pencil sharpener on the desk, old letters from friends tucked into drawers, and diaries from her younger years. Entering the room again, she felt as though part of her childhood had been gently preserved, bringing back a flood of memories.

In December 2025, she wrote another moving essay about an old cassette tape sent to her by her mother.

On the tape was a recording of Moka's very first cry on the day she was born. The voices of a midwife and the laughter of those present could also be heard.

Hearing her own newborn voice for the first time as an adult moved her deeply, and she described being brought to tears. The story also conveys her gratitude to her mother for carefully preserving the recording for so many years.

2. Moka Kamishiraishi's Skincare and Favorite Beauty Products

A Dermatologist-Prescribed Ointment, SHIRO Sake-Lees Mask, and Sun Protection

One defining feature of Moka's skincare approach is her attention to how products feel on her own skin.

In a 2020 interview with bis, she described her daily skincare routine as relatively simple.

At the time, she was using a dermatologist-prescribed topical product containing a high proportion of petrolatum. She preferred products that suited her skin and was mindful of potential irritation.

In the same interview, she named SHIRO Sake Kasu Concentrated Face Mask as a favorite skincare item.

During the stay-at-home period in 2020, her mother had sent several of these masks from Kagoshima. Moka enjoyed the way her skin felt after using them and appreciated their refreshing finish.

Rather than layering large numbers of beauty products, her priority at age 20 was finding things she personally enjoyed using.

She also described a minimal everyday makeup routine centered on sunscreen and lip products. Since professional makeup artists often prepare her appearance for work, she admitted that experimenting with makeup on her own could sometimes take a little trial and error.

A story about choosing a parasol offers another glimpse into her approach to sun protection.

In her November 2024 essay Month and Day (Maru-gatsu Sankaku-nichi), she recalled buying a lightweight, slightly luxurious parasol in preparation for summer.

The parasol was so light, however, that she accidentally left it behind in a department-store restroom soon after buying it.

Sunscreen and a carefully chosen parasol form part of the story, but so does her ability to laugh about a very human little mishap.

Her 2026 Cleansing Routine and the Face Pointer Beauty Tool

In an August 2026 interview with VOCE, Moka spoke about how her interest in skincare had expanded over time.

Having experienced skin concerns during her teenage years, she continued looking for products and routines that felt suitable for her.

She enjoyed researching beauty products through magazine awards, recommendations, and reviews from people who had tried them.

Depending on how her skin felt, she sometimes adjusted her washing routine, including the frequency of cleansing, washing with warm water, and using milk-type cleansers.

She also mentioned having experienced beauty treatments in South Korea, reflecting an interest in exploring beauty practices from other cultures.

In 2025, she had also spoken about using a pen-shaped beauty tool called the Face Pointer.

She used it around her face and neck and appreciated its portable size, which made it convenient to carry during travel and workdays.

With frequent filming schedules and musical commitments, a small item she could carry in her bag became an easy way to incorporate beauty time into a busy day.

Scented hand creams and oils have also appeared among the products she enjoys. Fragrance offers another little moment of pleasure in her everyday routine.

From the simplicity of her skincare in 2020 to her interest in cleansers and beauty tools in 2025 and 2026, her preferences have evolved naturally with age and experience.

3. Haircare, Makeup and Fragrance: Why She Owns Five or Six Hair Oils

Choosing Hair Oils for the Weather and Her Natural Hair Texture

Haircare is one of the areas where Moka has shared especially detailed personal preferences.

In a June 2024 interview with Hot Pepper Beauty Magazine, she revealed that she owned approximately five or six different hair oils.

She selected among them according to the season, humidity, and the condition of her hair on a particular day.

For instance, she preferred a richer oil on dry days and a lighter oil when it rained, adjusting her choice according to how the products felt in her hair.

She described having naturally thick hair that could become voluminous, so oils with a substantial texture were sometimes appealing to her.

She also visited her hair salon regularly to have the volume adjusted.

One feature of her hair she particularly liked was that tying it up often left very little impression afterward. On the other hand, curls created with styling tools could sometimes fall out relatively quickly.

When she first bleached her hair, she was surprised by how resilient it felt.

Interestingly, Moka explained that she had not always been deeply interested in beauty. Her curiosity grew after entering adulthood, and a turning point came when a salon introduced her to a treatment that suited her hair.

The experience made her more interested in the look and feel of her hair and eventually encouraged her to explore fashion as well.

Her collection of hair oils grew out of that gradual process of getting to know her own hair and discovering products she genuinely liked.

Her First Hair Bleaching Experience for Ya Boy Kongming! and Layered Hairstyles

Changing her hairstyle for acting roles also contributed to Moka's interest in beauty.

In 2023, her work on the drama Ya Boy Kongming! led to her first experience of bleaching her hair.

She had long been curious about lighter hair colors, so she was delighted when the role gave her a reason to try bleaching.

During the process, her hair temporarily turned a vivid shade of yellow. She liked the look so much that she even considered keeping it that way for a while.

Her friends responded positively to the transformation, and she enjoyed discovering how a different hair color could change her overall appearance.

She also found herself experimenting with clothes she might previously have overlooked, widening her fashion choices.

At around 19, she had tried a short haircut with a boyish appearance. In 2024, she also expressed interest in sophisticated short styles and reddish or orange hair colors.

Later in 2024, she introduced layers around her face.

By 2025, she was enjoying variations such as turning the ends inward to create a wolf-cut-inspired shape, or leaving face-framing strands loose when tying her hair back.

Although acting roles can influence what hairstyles are possible, even small changes around the face can provide a welcome change of mood.

She has also spoken about how happy it makes her when fans use her hairstyle as inspiration at their own salons.

Her haircare combines practical attention to texture with the creative freedom that comes from playing different characters.

Natural Makeup, Concert Looks, Perfume and Incense

While Moka often prefers natural makeup in everyday life, her performances as adieu provide opportunities to experiment with makeup colors and styles that complement the mood of her songs.

In a 2026 interview, she discussed having professional makeup applied before concerts and enjoying details such as toenail polish.

Fragrance is another important part of her personal world.

In an interview with SPUR, she described being drawn to woody and musky scents with a touch of sweetness.

When working on film or television sets, she often avoids wearing perfume out of consideration for people who may be physically close during filming.

In her private time or before performing as adieu, she enjoys choosing fragrances that match her mood and help mark the transition into a different setting.

She has a friend who gives her perfume for her birthday each year. One particularly memorable gift was a personalized fragrance bottle engraved with her name.

She has kept some favorite perfumes for years, enjoying the memories associated with their scents.

In a 2025 promotional fragrance feature, Moka experienced kate spade new york's POP Eau de Parfum. She enjoyed its transition from fruity notes toward floral ones and imagined wearing it with a bright pink outfit.

She has also created incense inspired by songs for a live performance. To Moka, music and fragrance share an appealing quality: a particular melody or scent can suddenly bring back memories from long ago.

Perfume, scented hand creams, oils, and incense all offer ways to enjoy different moods and musical worlds.

She discusses her relationship with scent in greater detail in her SPUR fragrance interview.

4. Diet, Drinks and Home Cooking: From Warm Water to Solo Food Adventures

Morning Warm Water, Grated Daikon, Tomatoes and Genmaicha Tea

Moka's food preferences reveal an appreciation for simple ingredients and everyday meals.

In a 2020 interview, she described beginning her mornings by drinking warm water.

At the time, her routine involved boiling water, washing her face, and mixing hot water with room-temperature water before drinking it.

When she had enough time in the morning, she sometimes ate freshly grated daikon radish.

She enjoyed eating it plain, without adding soy sauce or ponzu, allowing the natural flavor to stand out.

She also liked sweet fruit tomatoes, simply washed and eaten as they were.

In an April 2026 essay, she described enjoying a sandwich and genmaicha, a Japanese green tea blended with roasted rice, aboard an express train on the way to a hot spring.

Listening to music by Spitz while sipping tea was part of the pleasure of the journey.

Moka has also appeared in advertising for the Japanese green tea brand Ayataka since 2025, playing the proprietor of an onigiri-themed establishment called Ayatakaya.

Homemade Naan, Rice Balls, Mountain Yam and Cooking After a Long Day

Moka has spoken warmly about cooking in interviews and personal essays over several years.

In 2020, she described making naan in a frying pan to accompany homemade curry. She also tried baking cheesecake with plenty of yogurt and without butter.

In a 2022 interview, she mentioned sometimes bringing warm homemade soup to filming locations in an insulated food jar.

By 2025, she had become particularly enthusiastic about making onigiri, or Japanese rice balls, and collecting different kinds of furikake seasoning.

One favorite was ume-chirimen, a mixture featuring pickled plum and tiny dried fish. She also enjoyed looking for interesting furikake at regional food fairs.

She sometimes brought handmade rice balls to share with filming staff, finding pleasure in making food for other people.

In her August 2026 essay Home Cooking (Jisui), she acknowledged that planning everyday meals could sometimes be challenging while living alone.

Nevertheless, she genuinely enjoyed cooking. Her repertoire included summer ratatouille and hayashi rice prepared with sauce made from scratch.

For ratatouille, she made use of seasonal vegetables and even incorporated oil from a can of tuna into the dish.

The sound of a knife meeting the chopping board and the aroma of onions cooking in a pan were among the sensory pleasures she associated with preparing food.

In a 2025 essay, she mentioned exchanging homemade food with a close friend. After receiving her friend's handmade garlic-chive kimchi, Moka gave her a portion of homemade ratatouille in return.

Her July 2026 essay Kimibun-chan also revealed a fascination with nagaimo, or Japanese mountain yam.

One favorite combination featured mountain yam, shiso leaves, nameko mushrooms, cucumber, and pickled plum, seasoned with a little mentsuyu noodle sauce and wasabi.

During the summer, she enjoyed the dish so much that she ate it almost every day for a period.

She also experimented with homemade hiyajiru, a chilled Japanese soup often enjoyed in warmer weather.

During a television appearance in 2026, she shared a very particular preference for natto: she liked stirring the fermented soybeans about ten times before eating them.

Her cooking stories also include evenings when she came home tired after work.

In a 2024 essay titled How to Recover My HP, she described arriving home at around 8:30 p.m. after a long day.

After taking a shower, she decided to make herself a warm meal instead of ordering delivery.

She used tomatoes from the refrigerator, olive oil, garlic, bay leaves, onion, and enoki mushrooms to prepare a tomato pasta sauce.

As she enjoyed the dinner she had made, her mood brightened. She recalled falling asleep quickly when she eventually went to bed.

Preparing food for someone she cares about brings another kind of enjoyment.

In her September 2025 essay A Gift When Visiting (Ojamashimasu no Shina), she described making caramel custard pudding the night before visiting a friend's home.

Her handwritten recipe notebook contained family-inspired dishes such as ratatouille, hearty pork and vegetable soup, and honey granola.

She chose a pudding recipe she had already practiced several times, aiming for a mildly sweet custard and a pleasantly bitter caramel.

Measuring eggs, milk, and beet sugar carefully, she prepared the pudding as a thoughtful handmade gift.

Whether cooking for herself or preparing something for a friend, Moka brings curiosity and affection into the kitchen.

A Solo Trip to Matsumoto for Soba, Yakiniku for One, and Malatang

Moka's love of food extends well beyond her own kitchen. She also enjoys eating out alone.

In a 2021 column for POPEYE Web, she revealed how much she loved soba noodles.

One morning, she suddenly felt an overwhelming desire to eat authentic Shinshu soba and decided to travel by herself to Matsumoto in Nagano Prefecture.

She arranged her transportation and accommodation along the way, setting out on an impromptu journey inspired by a particular food craving.

Her reasons for enjoying solo meals are also revealing.

When eating with friends, conversation can be so engaging that she sometimes forgets about the food in front of her. Eating alone allows her to focus fully on the taste and texture of every dish.

In her 2024 essay Yakiniku Craving Alert, she recalled suddenly wanting grilled meat and reserving a counter seat at a neighborhood yakiniku restaurant.

She ordered salted beef tongue, harami, an assortment of kimchi, mino ponzu, and cold noodles, choosing exactly what she wanted at her own pace.

She even invented a few playful personal rules, including finishing everything she ordered and trying to grill the meat neatly using the same grill mesh.

In a 2025 essay, she also mentioned becoming particularly fond of malatang, a spicy Chinese-style soup in which diners can choose noodles and other ingredients.

She enjoyed it enough to crave it unexpectedly and even invited readers to recommend their favorite places to eat it.

Her food preferences are wonderfully varied, encompassing homemade vegetables and soups as well as grilled meat, noodles, and spicy dishes.

Her spontaneous soba adventure is described in greater detail in her personal POPEYE Web column.

Discovering Taiwan Through Breakfast: Savory Soy Milk, Egg Crepes and Rice Dishes

One of the most memorable examples of Moka's curiosity about food is her solo trip to Taiwan.

According to her own travel essays, she decided to make the trip only about a week before leaving. Rather than packing every day with activities, she wanted to explore at a relaxed pace and observe how local people lived.

At a Taiwanese breakfast shop, she tried xian dou jiang, a savory warm soy milk dish, and dan bing, a thin Taiwanese egg crepe.

In her essay, she explained that breakfast was her favorite of the day's three meals.

Discovering what people eat in the morning was therefore one of her greatest pleasures while traveling.

During the trip, she also visited Tainan, a historic city in southern Taiwan, and enjoyed a local market breakfast.

She ordered si shen tang, a traditional soup, and mi gao, a dish prepared with glutinous rice.

The rice dish was so delicious that she ordered a second small serving after finishing the first.

She also enjoyed fresh fruit and mango shaved ice during her travels. After visiting a hot spring, she treated herself to shaved ice generously topped with mango.

In another personal essay, Moka described eating ramune candy while working on a production with a particularly large number of lines to memorize.

From homemade meals to yakiniku, Shinshu soba, and Taiwanese breakfasts, eating is a way for Moka to discover new flavors, neighborhoods, and cultures.

She shares more about her Taiwanese experiences in her personal Taiwan travel diary.

5. Swimming, Walking and Health: Her Approach to Movement and Acting Roles

From Being Afraid of Water to Enjoying an Hour at the Public Pool

Swimming is one of the most distinctive parts of Moka's relationship with physical activity.

In her 2024 essay Invisible Scales (Mienai Uroko), she looked back on her experiences in the water from childhood to adulthood.

She began taking swimming lessons in fourth grade. Until then, she had struggled with swimming, so she joined a swimming school attended by her grandmother.

At first, even putting her face into the water could make her nervous. With the encouragement of her instructors, however, she gradually came to love swimming.

During summer holidays, she went to swimming lessons almost every day, sometimes attending morning radio exercises before boarding the swimming school's bus.

Her affection for swimming has continued into adulthood.

In the essay, she explained that during periods when she had time, she visited a public swimming pool by herself once or twice a week.

Depending on her mood, she might swim laps, walk through the water, or simply enjoy being in the pool for around an hour.

She was less interested in meticulously tracking speed or distance than in enjoying the water until she felt satisfied.

She loved the quiet sensation of being underwater, the attention given to breathing, and even the faint smell of the pool that remained in her hair afterward.

When discussing her 2025 photo book charm charm, she also explained that she chose to approach the shoot as she was, rather than following a special weight-loss or body-transformation programme.

For Moka, swimming is both a form of movement and a personal hobby that has accompanied her through many stages of life.

Preparing for Idaten and Finding Seasonal Beauty Through Walking

Moka's connection to swimming has also intersected with her acting career.

She performed front crawl in Mr. Hiiragi's Homeroom, breaststroke while portraying Hideko Maehata in Idaten, and backstroke in the film One Summer Story.

Looking back on these parts, she jokingly wondered whether she might someday have a role requiring butterfly stroke to complete the set.

In her March 2025 essay about One Summer Story, she also reflected on the physical preparation she undertook at 19.

To portray a competitive swimmer in NHK's Idaten, she gained approximately seven kilograms for the role.

She subsequently filmed One Summer Story, which included many outdoor pool and sea scenes. To create the appearance required for the character, she also visited a tanning salon during that period.

These were experiences associated with preparing for particular acting roles, reflecting how closely she considered the physical presentation of the people she played.

Outside acting, another favorite activity is walking.

In a 2020 interview, she said she sometimes walked for around an hour and a half, either in the morning or at night, when she became absorbed in a stroll.

Her 2024 essay Walking Alone (Hitori Aruki) describes the pleasures she finds in ordinary city scenes: children singing altered versions of familiar songs after school, a cat yawning beside the road, or the scent of laundry softener drifting from someone's home.

She has also enjoyed sitting on a park bench listening to the song "Rojo no Folk Singer" by the Japanese band andymori.

She wrote that stepping outside and catching glimpses of other people's daily lives could offer a different perspective when her own thoughts were occupying her attention.

In spring 2025, she finished work early one day and decided to visit Shinjuku Gyoen National Garden alone.

Wanting to experience the change of seasons despite a busy schedule, she went to see the cherry blossoms.

She enjoyed the scent of grass and earth, the voices of children, and the sight of trees in full bloom. She was so delighted by the blossoms that she found herself breaking into a run.

She took a selfie to remember the visit and stayed until the park was about to close.

Her walks become a way of observing the world and finding words for small, memorable discoveries.

Breathing, Medical Care and Making Time for Recovery

In September 2026, Moka published a personal essay titled Breathing (Kokyu), describing an experience related to her health and her work as an actress and singer.

She explained that she had experienced nasal symptoms since her late teenage years. At times, particularly before stage or musical performances, difficulty breathing through her nose and discomfort while using her voice had concerned her.

After consulting a doctor at an ear, nose, and throat clinic she had attended for some time, she underwent surgery for a deviated nasal septum approximately two years before writing the essay.

She arranged her work schedule to allow for the operation, a three-night hospital stay, and additional rest after returning home.

During the hospital stay, she spent time reading and working with a shell-polishing kit she had purchased at a museum.

Writing in 2026, she shared her personal impression that breathing had become easier and reflected on the pleasure of noticing seasonal changes.

Breathing is closely connected with Moka's professional life, whether she is delivering dialogue or performing a song.

Her account shows the care she took in consulting her doctor and arranging sufficient time away from work during her medical experience.

She describes this experience in her own words in the POPEYE Web essay "Breathing".

6. Bathing, Sleep and Relaxation: Hot Springs, Music, Diaries and Quiet Time

Long Baths, Kagoshima Bathhouses and the Hot Springs of Beitou, Taiwan

Bathing and visiting hot springs are among Moka's favorite ways to spend time.

In a 2020 interview, she described how much she valued soaking in a bathtub rather than always choosing a quick shower.

She sometimes brought books or scripts into the bath and became so absorbed in reading that around three hours could pass before she noticed.

She also shared a simple sensory pleasure: placing leftover orange peels in a mesh bag and adding them to bathwater to enjoy the fragrance.

Her affection for hot springs goes back to childhood in Kagoshima.

In her 2024 essay Warriors of the Bathhouse (Yokujoba no Senshitachi), she recalled visiting a neighborhood public bath with her family on weekends.

Kagoshima is known for its abundant hot springs, and many everyday bathhouses in the area use naturally heated spring water.

After moving to Tokyo, she continued enjoying public bathhouses. On one occasion when her spirits were low, she visited an old-fashioned bathhouse and appreciated the gentle welcome from the attendant and the relaxed atmosphere among the guests.

During her solo trip to Taiwan, she also visited Beitou, a hot spring district in Taipei.

After learning about the district's history at the Hot Spring Museum, she visited a bathing facility offering day-use access.

She enjoyed the spacious bathing area, surrounding greenery, and differences in the appearance, scent, and texture of the spring water.

At her hotel in Taiwan, she also appreciated a charming clawfoot bathtub.

From family visits to Kagoshima bathhouses to Tokyo sento and Taiwanese hot springs, bathing offers her opportunities to enjoy both quiet moments and the culture of different places.

Her account of spending hours in the bath is a personal experience from 2020 rather than a suggested bathing routine. Comfortable bathing time and water temperature should always be considered in relation to individual circumstances.

A Solo Hot Spring Getaway, Sleep and Time Away from Her Phone

In April 2026, Moka found herself with a rare full day off and decided to travel alone to a hot spring a little farther from home.

After traveling by express train and bus, she arrived at a facility where she selected a private Japanese-style room suitable for spending time alone.

She enjoyed an open-air bath before having a meal and taking a nap in a tatami room overlooking a river.

Even a bottle of mineral water after the bath tasted especially good to her.

She explained that even on days off she often found herself memorizing lines, working on music, or writing essays. On this occasion, she was delighted simply to enjoy being somewhere peaceful.

Amusingly, she ended up writing most of the essay about the trip while sitting in that very room, completing it in about one-fifth of her usual writing time.

She has also written candidly about sleep and emotionally demanding days.

In a 2025 essay titled Bitter (Nigai), she described a day when insufficient sleep and work-related tension had weighed on her. After returning home, she took a bath and wrote her feelings in a diary before going to bed.

In another essay from 2026, she reflected on an earlier period when she struggled to enjoy music and reading as usual and was also having difficulty sleeping. Her writing presents these experiences as part of her own life, with characteristic openness.

In autumn 2025, she described switching her bedding to a warmer winter arrangement. It felt so comfortable that she became reluctant to leave her bed in the morning.

During long flights, she sometimes writes a simple plan on paper, deciding when to work, read, watch films, listen to music, and sleep.

Music also plays a role in her quieter moments at home.

She enjoys listening to vinyl records and using a speaker connected directly to her smartphone by cable.

This setup allows her to leave the phone aside while listening, giving her a welcome break from looking at a screen.

In a March 2025 essay, she described putting her phone in the bathroom, taking out a sheet of paper and a pen, and finally tackling household tasks she had been postponing.

She called the unfinished jobs her "task zombies" and selected five or six to deal with first.

While playing records, she folded laundry, organized books and stuffed toys, cleaned the bathroom, and vacuumed.

After about two hours, her room looked dramatically tidier, and she felt pleased with how she had spent the day.

On another evening, she discovered that her phone battery had run out after dining with a friend and spent roughly an hour traveling home without using it.

She became more aware of conversations around her, station names, and views through the train window, finding something fresh in a familiar journey.

Baths, music, naps, tidying, and occasional breaks from her phone all appear as different ways Moka enjoys moments of rest.

More Than Ten Diaries Since Junior High School, Collages and Sticker Collecting

Moka began keeping a diary when she was in the second year of junior high school.

According to her November 2024 essay Month and Day, she had continued the habit for approximately ten years and filled more than ten diary notebooks by that point.

One appealing aspect of her approach is that she does not impose strict rules on herself.

Some days, she records only three lines. On others, she fills an entire page with thoughts and memories. Rather than insisting that every day must be documented in exactly the same way, she writes according to what she feels.

Diary writing offers her a quiet moment to reflect on her experiences and put feelings into words.

In a 2026 interview with VOCE, she discussed using a three-year diary, in which entries from the same calendar date in different years appear together.

She admitted with a laugh that she sometimes wrote up as much as a month's worth of entries afterward.

Looking back at entries from her teenage years allows her to remember what she once worried about and notice how her perspective has changed.

She also enjoys making collages, printing images of favorite album covers, characters, and colors and arranging them in notebooks.

In February 2026, her essay Stickers and Childhood Wonder (Shiru to Osanagokoro) described what she called a second wave of enthusiasm for stickers.

It began when she discovered flake stickers featuring the children's character Nontan in a stationery shop.

Soon she was collecting stickers featuring other nostalgic characters, including Tarepanda, Kogepan, OSAMU GOODS, and Tamagotchi.

She decorated diaries and paperback books, as well as lip balm caps, headphones, and mirrors.

Carrying a sticker book also encouraged little exchanges with people around her, making collecting a new form of connection.

One particularly charming gift was a sticker from her mother bearing the name "Moka."

More than ten diary notebooks, colorful collages, and favorite stickers offer an intimate glimpse of someone who enjoys expressing her personal world through both words and images.

7. Her Beauty Philosophy and Lifestyle: Embracing Individuality

A particularly memorable comment captures Moka's outlook on beauty.

In a June 2024 Hot Pepper Beauty Magazine interview about appearance and individual characteristics, she said: "You can't buy individuality."

She enjoys experimenting with hairstyles and fashion while valuing the qualities and sensibilities she was born with. That balance provides an important insight into her personal beauty philosophy.

In interviews around her 25th birthday in 2025, she also spoke about gradually learning to accept different aspects of herself, including things she sometimes found difficult.

Her March 2025 essay about One Summer Story offers a particularly moving illustration.

On a day off, she watched the film in which she had starred at 19. On screen was the younger Moka, shortly after the intensive physical preparation she had undertaken for her role as a competitive swimmer.

At the time of filming, she had sometimes felt self-conscious about her face and body. Looking back at the age of 25, however, she found herself feeling affection for that younger version of herself.

She described watching the 19-year-old Moka swimming, laughing, and acting with the kind of tenderness one might feel toward a younger child.

Features that had once concerned her had become meaningful parts of who she was at that time.

Through the passage of time and the experience of portraying different characters, she was discovering a gentler perspective on her own individuality.

She describes these feelings in her personal essay about One Summer Story.

One adult she has mentioned admiring is Japanese writer and actor Lily Franky. She likes the idea of growing older while keeping a playful, youthful curiosity about life.

She has also named her relatively low speaking and singing voice as a personal feature she appreciates.

Her music career has given her many opportunities to explore and value that distinctive part of herself.

In 2026, she explained that when singing felt challenging, listening to Latin music from her childhood in Mexico could remind her of the uncomplicated joy she once experienced through music.

Attending other musicians' concerts also provides an opportunity to reconnect with what she loves about performing.

Her relationship with spending time alone has evolved as well.

In a May 2026 essay titled Alone, One Person, Solitude (Hitori, Hitori, Hitori), she recalled that being alone could sometimes feel lonely during her teenage years.

With time and experience, she came to enjoy taking trips, walking around cities, and visiting hot springs by herself.

Her solo outings have included cinemas and concerts, and eventually a visit to a yose, a traditional Japanese variety theatre.

In October 2025, she spontaneously went to a Tokyo yose alone. There, she enjoyed rakugo storytelling, kodan narrative performances, magic, and acrobatics, and watched the performer Nezucchi deliver his well-known wordplay.

Discovering an unfamiliar place, encountering new forms of entertainment, and enjoying the experience on the way home have become part of her appreciation for solo time.

Her personal style also reflects a careful attention to items she genuinely likes.

In 2020, she mentioned an interest in fashion labels including UNITED TOKYO and Name., while emphasizing the importance of fabric texture and comfort alongside design.

In 2025, she spoke about being attracted to clothing featuring photographs or illustrations across the fabric.

For her 25th birthday, people she worked with gave her a pair of deep brown leather loafers.

On the first day she wore them, she noticed a shoe repair shop and arranged to have protective soles fitted. She wanted to care for a favorite pair of shoes so she could enjoy wearing them for years.

In June 2026, she shared another story about selecting something special for her home: a Gabbeh rug, traditionally handwoven by nomadic communities in Iran.

She first encountered it at a rug fair she happened to visit after having tea with a friend.

The rug was a deep green that reminded her of a grassy landscape.

Because it was a significant purchase, she thought about it for around a month and even arranged to try the rug in her own home before making a decision.

It complemented her khaki-colored sofa beautifully, and bringing it home made her even more excited to spend time in her living space.

Keeping favorite perfumes for years, caring for leather shoes, and taking time to choose a meaningful piece of furniture all express a similar appreciation for objects she wants to live with for a long time.

As an actress, Moka inhabits many different lives. As adieu, she expresses a musical world of her own. Away from the spotlight, she finds pleasure in books, food, music, scents, and familiar everyday possessions. Her quietly personal way of living is an important part of her appeal.

Conclusion: What Moka Kamishiraishi's Beauty and Wellness Habits Reveal

Moka Kamishiraishi's beauty and wellness habits reveal someone who pays attention to her own skin and body while making room for the activities and objects she genuinely loves.

She explores skincare that suits her, adjusts hair oils according to the season, enjoys home cooking, and discovers new flavors while traveling.

Swimming and walking offer opportunities to move at her own pace, while hot springs, diaries, vinyl records, and sticker collecting provide different kinds of enjoyment at home and away.

Perhaps the most memorable story is the way she looked back at the 19-year-old version of herself and felt affection for the appearance and experiences she had once worried about.

She enjoys changing her hairstyle and exploring fashion while also valuing the individuality she was born with. Both ideas fit naturally into her personal understanding of beauty.

From the music she inherited through her family to dishes made for friends and landscapes discovered on solo journeys, Moka continues to approach everyday life with curiosity. Her appeal lies not only in what she does on screen and on stage, but also in the thoughtful, playful way she experiences the world around her.

References and Further Reading

1. Toho Entertainment — Official Moka Kamishiraishi Profile, Acting Credits and Music Career
2. bis — Skincare, Sake-Lees Face Mask, Food Preferences and Bathing
3. VOCE — Beauty Routine, Cleansing and Diary Writing in 2026
4. Hot Pepper Beauty Magazine — Hair Oils, Hair Texture, Bleaching and Beauty Philosophy
5. POPEYE Web — Moka's Essay on Diaries and Her Parasol
6. POPEYE Web — Moka's Essay on One Summer Story, Acting Preparation and Self-Acceptance
7. POPEYE Web — Moka's Essay on Breathing, Medical Treatment and Rest

Note: This article is based on publicly available interviews, official information, and personal essays. Some habits and product preferences reflect the time of their original publication. Medical details are presented as Moka Kamishiraishi's personal experiences and should not be interpreted as individual treatment recommendations.